Guitar Fretboard Layout
August 9th, 2009 | 
Author: 
There are advantages and disadvantages of playing guitar. One advantage is that there are a variety of cool equipment that we use to a variety of sounds, both make it unique and exciting. Another reason is the fact that the guitar is a relatively portable device that can be taken from us with much ease, which means that we never has to rely on someone else to offer us to play an instrument. One of the drawbacks is the fact that, due to its design, the guitar fretboard is a place where people go forever lost and can not find their way out.
What I speak of is that it is often very difficult to put ideas in people's minds as their guitar to play. Do not get me wrong, I do not talk about technology here. There are definitely good and bad techniques that are used by guitarists, and I think that learning a good technique is an essential skill to being able to play well. What I speak of is the layout of the fretboard and the way the chords and music, which of course invites us to play.
If you think about other instruments like the piano or xylophone or one of the horns, everyone has a special layout, which play especially in a certain way of thinking in terms of the notes. For example, the piano, with its flat design invites the player to make great leaps. It is not usual to see a player playing notes at different ends of the instrument, it is common to hear a piano players come with unique intonation and chords that you do not hear often, with the guitarist.
As a guitarist, it is quite often the standard set of major and minor chords, power chords, sus2, sus4, add9, add11, etc. etc. There are a lot of these chords to say what it would mean all "closed voicings" and to death by rock guitarists used. I would like to speak a second take on open voicings and hopefully shed some light on it, so that you experiment with them in their own music.
If If you are not familiar with what is an interval, it is simply the distance between two notes. Understanding intervals requires some knowledge of keys and scales, so if you do not know anything about them, you might want to take a moment to look over information about those two things. I have a guide, a primer can be used if you can not find anything written about them elsewhere.
Intervals is a reference to the distance between two notes. If you expressed with double stops, which are simply two notes together, then you're double stops to create unique open voicings. Intervals are a numerical designation, as 2nd, 3rd, 4th, 5th, etc. It is easy to understand what they mean, because the number used to name an interval of the measure of the distance from the root of the pair of Notes, is within the key.
Like I said, it requires an understanding of the key, but in its simplest a 3rd is 3 Grade of the root. A 4th is the root and the 4th Sound played, the 5th the root and 5th etc. This term can extend the intervals as much as you want and create unique voicings. Try You, a 10th. This is the root plus 10th Note about it in the key. This particular voicing is open in the popular songs like the Beatles "Yesterday", Red Hot Chili Peppers' "Scar Tissue", Dave Mathews "Tripping Billies" and above. After you have tried, 10, go for a 11, 12. and so on.
Thinking like this can really expand our horizons as a guitarist. It is important to remember that some of the best music is the stuff that we do not expect have. If you think you know everything there is to know about the guitar, but play no open voicings, you may be missing a lot. Good luck and have fun!
Guitar Notes Master Fretboard Tips 1 – Learning Guitar Notes Using Root Shapes
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Rusty Cooley Fret Board Autopsy- Scales, Modes & Patterns Level 1, $13.89 In the Fretboard Autopsy- Scales, Modes & Melodic Patterns, Level 1 DVD Rusty Cooley presents his unique fretboard visualization system of shapes and patterns, along with years of modal knowledge. Rusty was named one of the top 20 fastest shredders of all time, and has been an influence on many guitarists including Mark Tremonti and John Petrucci. Learn how the modes are covered across the neck, 5… |
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