Guitar Music Theory Scales

and music theory help guitar chord?
Okay, so I'm terrible with music theory, despite playing a number of instruments. So my question is, who can play music explain basic theory (especially guitar) well and without sending a 50-part music theory classes or something. I can read music and all, not only understand the concept of 5ths and 7ths and scale progressions. Can someone help me? Thank you!
so you want a brick building of Bar B Que in the backyard, without a to touch? Music theory is the same as for pianists and guitarists, I can play piano chords of guitar **** —- one year, teen youth group got together our Christmas party for a college reunion – I played and we sang all the songs and songs had such a great time – until someone said – remember bunny foo? – So we all sing to Bunny and led to another – which led to another with hitting me in the background on the songs tears later we finished – - broke and one of my friends pianist came to me and asked – you know all the songs? I replied – I had only heard one of them – but they are all built on one four, and five chords (I, IV, V), so you can pretend WHAT !!!!!! yes – just music theory *** *** So a lesson – - let's see if you can catch these bricks? – Basic Guitar G key for our example, like your basic chords are D G, C, and they are all major chords I, IV, V If you 7th Insert sound on the V chord, D7 ie as novel need to go back to my (G) note that the most important chords in all major cities of the minor chords are lower case numbers, ie, Am = ii (2), Bm = III and Em = vi key in the key of G so our 7 chords in this key to 3 – 3 are naturally smaller and VII, with a small circle on it – is reduced (both third the chord and the fifth step are lowered 2.1 (a diminished 7th chord chords composed of all minor thirds BTW) these to hear from you some more very similar and have the same notes as other chords V and VII reduced IV and II in a chord progression, there are 5 levels of rank dim IV or IV and VII II VI III provisions of Table 1) All movement comes back to the beginning (Tonic) ONE 2) You can at any level, and go back to the beginning and went at each level (I-VI-II-VI) 3) skip CAN A level of your return to the top (ie I – IV – I) 4) the tonic (I) may return they will go back in between the layers on top like you to now if you change chords – give them new life II Moll is an important key – but what if you work really made it a major chord, then it as V from V and then have a good time, so my show off melody is an old song used airline to fly through a theory I love the chord changes and display (pls bear with me – Yahoo! will not let me write nomenclature) (G) Take me with you, if ya (G7) love me (C) Take me with you, if ya (C) love me (unlike on U-tube version) take (G) (B major) me a (Em) long (A major) with (D) (D7) my (G) heart journey (G7) sweet and lovely (C) high above the (G) cloud, if you (G / D) take me (D7) long with (G) now means the difficult (G / D), it's a G chord in the second reverse play the G but with as a D bass note – - gets you ready for the D7 coming in the final cadence So let's see how the first in our scheme I – I7 (looks like a V IV) – IV – I – III-major (as the V vi) – vi – II major (acting as VV) V – V7 I – I7 (yep V IV) IV – I – I 04:06 (2nd inversion) V7 – I so – we are street legal in each diagram Bachelor of fun? ! all Good in theory, Masters in music do you like the old commercial city – only rendition I could find this song by
Music Theory – Harmonizing the Major Scale
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