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course, not to aspire to the guitar?

I've been playing for time in 14 years. Nvested Beganning that double lesson each week to a 2 1 / 2 years. I studyied Berklee firdt book. He played in jazz band in high school and played a bit low last year of high school. I picked up the bass, which was interesting to play the bass and slope was great. I know almost every bar chords maj7 7 minutes maj min dim maj min 9 seventh ninth thrirteenth 9. I know that the scale minor blues scale. . I'm trying to learn pentatonic modes and scales in all positions. type I am getting bored with the blues and stuff pent5atonic. Recently vi reh video yngwie learned pretty much all lame.

Not to beat a dead horse, but practice practice practice. You are receiving a very good theoretical basis with the guitar, but the most important thing is to have fun with it. I took classes for 10 years (8-18) and learned of it work he did and the same chords, scales and modes. That's good to read music and know the notes and music work together, but not much fun. They are great for warm-ups and every time I pick up a guitar to spend five minutes with them, but you need to have fun with the guitar. I do not know what their goals or what is defined as "suck", but with everything I've been playing is probably not. You need to start learning songs you like, since it has already Whether enjoying. There's nothing like being able to play your favorite song and press the single perfectly. It's great to know the scales and modes, and helps you write songs, but for me the most fun with a guitar is to play at parties and meetings, when everyone has been drinking and having fun. People are going to sing and frankly, most I know girls like him. Furthermore, in those situations all you need do is know the chords. Sorry so long, but in reality, not "suck" practice what you know, add a bit of fun songs and see what you can compensate. The rest is talent. Good luck.

Jazz bass lick from playbassnow.com

John Entwistle: Bass Guitar Master Class $16.41 The Who’s legendary John Entwistle gives a personal bass lesson that covers fingering, licks, octave style, chords, hammer-ons, pull-offs, picking techniques, harmonics, soloing concepts, walking bass lines, string-bending, and phrasing — all in the famous Entwistle style. This Hot Licks DVD gives you a unique chance to learn from the man who wrote the book when it comes to rock ‘n’ roll electric…

Original Recordings TRACKS: 1 Canned Music… 2 How Can I Miss You When You Won’t Go Away?… 3 I Scare Myself… 4 Shorty Takes a Dive… 5 Evenin’ Breeze… 6 Waiting for the 103… 7 Shorty Falls in Love… 8 Milk Shakin’ Mama… 9 Slow Movin’… 10 It’s Bad Grammar, Baby… 11 Jukies’ Ball… Review by Eugene Chadbourne: …Violinist Sid Page plays just great on this record, though, and the efforts of bassist J…

Building Walking Bass Lines $12.33 A walking bass line is the most common approach to jazz bass playing, but it is also used in rock music, blues, rockabilly, R&B, gospel, Latin, country and many other types of music. The term “walking” is used to describe the moving feeling that quarter notes create in the bass part. This book familiarizes you with the techniques used to build walking bass lines. Through the use of 90-minutes’ wor…

Building a Jazz Vocabulary $12.46 A valuable resource for learning the basics of jazz from Mike Steinel of the University of North Texas. It covers the basics of jazz, how to build effective solos, a comprehensive practice routine, and a jazz vocabulary of the masters….

Motown Bass (Bass Signature Licks) $14.50 This book/CD pack by blues expert Dave Rubin provides bassists with a step-by-step breakdown of the styles and techniques of Motown, with an emphasis on the legendary James Jamerson, “the bassman in demand.” Songs include “Ain’t Too Proud to Beg,” “Dancing in the Street,” “For Once in My Life,” “Get Ready,” “I Can’t Help Myself (Sugar Pie, Honey Bunch),” “I Heard It Through the Grapevine,” “I Seco…